![]() Take the example of music being mixed for playback over compact loudspeakers that cut off around 80Hz. The user can set the frequency below which MaxxBass analyses the bass harmonic structure, and it's also possible to attenuate the existing bass below this frequency if required. ![]() It's almost like a traditional HF enhancer, but tailored to the low end of the spectrum. MaxxBass works by analysing the existing bass end of a signal, then creating harmonics around an octave higher than the original, which you then add into the mix using a slider. For the purposes of this review I used Sound Designer II, an editing and mastering package able to exploit processes such as this to the full. It's available for version 2.80 or above Nubus SDII ( Sound Designer II) systems, Digidesign Pro Tools TDM systems, or in a native version for use with the computer's own processor hardware and a MIDI + Audio sequencer such as Steinberg's Cubase VST. MaxxBass is designed to enhance the subjective level of bass in the material being processed, without adding any additional low‑frequency energy. One such is the brand new MaxxBass, the latest in a long line of plug‑ins from Waves. While plug‑ins used to be the preserve of high‑end Digidesign system owners, many are now available in versions that can be used from within MIDI + Audio sequencers. Paul White takes it to the max with Waves' latest plug‑in.
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